
Several years ago I went to an art trade show. You know, the kind where IBM, CBS, and other giant three letter companies show up to buy art for their 200,000 square foot lobbies. I was impressed at the quality of work I saw there. Not just your typical "artist in a gallery" stuff, I mean "I've seen that artist on 60 Minutes" kind of stuff. As my friends and I walked around the last corner, I was blown away with a body of sculptural works made from clay. They looked so real that you thought they were going to speak to you. Now coming from an artist who was raised on Bernini and Michelangelo, this is saying a lot. I took pictures, with the artist’s permission of course, and came home completely inspired. My mentor always said, "a good artist doesn't borrow, he steals." So with that in mind, I decided to do my own interpretation based on this artist's work. This artist was doing his own artistic expression of African tribes as a whole. I, however, needed a higher purpose. So I researched different tribes until I came across the perfect subject matter. The tribal people of the Omo Valley region in Ethiopia. I was so taken by these people. The region, their lifestyle, the challenges that they face and the fact they celebrate life daily by transforming themselves into art. I researched the origins, lifestyles, religion, history, and ornamental style of the jewelry as well as ceremonial headdresses, tribal face paint, scaring and piercing rituals of twelve different tribes. I have made all of the jewelry from purchased and found items, woven mussel shells into hair which I obtained from local restaurant discards (the shells, not the hair) and had a great time experimenting with different methods of executing facial make-up through paint and glaze, mixing the two on several pieces. I have also used five different clays to execute the sculptures to see what effects could be obtained from each one. I do not get to experiment very often. I wandered through several wooded areas regionally looking for the right piece of wood to suit each sculpture, staining and sanding with different techniques to obtain the perfect look for each piece as well as hand picking the marble and stone bases to suit each one. Also, I have included handmade ear gauges, lip plates, and several other artifacts of the region as well as hand built pit-fired pottery created in true “Omo” fashion- staining them with earth pigments and pigs’ blood as the people of the valley do. I have not only grown as an artist but gained a wealth of knowledge I would not have been exposed to all because of another artist.
The exhibit goes up January 7th at The Gallery East at 512 East Main St. with the opening reception on Friday, January 11th from 6-10. The exhibit will run through February 16th. There will be a second reception on "Artwalk" Thursday, January 17th. Please join me for this monumental show that has taken me over two years to complete.
PHOTO BY: IAN CURCIO